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NAB 2024:鸟狗会谈X1和X1 Ultra PTZs和MAKI盒子相机

BirdDog创始人 & CEO Dan Miall discusses BirdDog's newest camera offerings--the X1 and X1 Ultra PTZs and the MAKI Ultra box camera--in this interview with 流媒体's Shawn Lam from the BirdDog booth at NAB 2024.

NAB 2024:艾伦 & Heath Talks CQ系列数字音频混频器

艾伦 & Heath市场营销专家理查德·斯塔尔让观众近距离观察艾伦 & 希思的CQ系列数字音频混频器与他们的触摸屏和物理控制, 自动混音器, 会议预设, 车库乐队, 和更多的, and remote operation capabilities in this interview with 流媒体's Shawn Lam from the 艾伦 & 2024年NAB的Heath booth.

NAB 2024:黑魔法设计,SMPTE 2110和IP视频

在NAB 2024的Blackmagic设计展位上接受采访, Blackmagic Design's Bob Caniglia and 流媒体's Shawn Lam discuss how Blackmagic is enabling producers to convert 4K and HD signals to SMPTE 2110 so they can move content across IP networks, with their new open-source 2110 IP codec and new 10 gig port-equipped Blackmagic Design cameras that support it like the PYXIS 6K and the URSA Cine 12K.

NAB 2024: vMix会谈vMix 27和缩放集成

vMix 27的主要特性之一是Zoom集成, enabling remote streaming producers to bring in (theoretically) an unlimited number of remote guests, vMix Senior Systems Engineer Heath Barker reports in this interview with 流媒体's Shawn Lam in the vMix booth at NAB. Barker还快速演示了该功能的工作原理.

NAB 2024: PTZOptics会谈蜂巢工作室和远程相机控制

PTZOptics技术总监Matthew Davis讨论Hive Studio, PTZOptics新的基于云的远程相机控制解决方案, 这是在NAB 2024上对流媒体的肖恩·林的采访.

什么是atsc3.0和流媒体即将到来吗?

关于ATSC 3的问题很多.0,又名下一代电视:是OTA吗? 是不是太过了?? 是中央电视台吗?? 我的电视能播放吗? 它是带着新前倾的承诺来流媒体的吗, 互动消费者体验和可寻址广告? 它与OTT和FAST有什么重叠之处, 它能为观众提供什么他们现在无法从OTA电视上获得的东西? ATSC主席Madeleine Noland, E.W. 克里·奥斯朗德, 辛克莱首席信息官Scott Ehrlich说, and Dillon Media Ventures' Rob Dillon explore these questions 和更多的 in this clip from 流媒体连接2024.

NAB 2024: Atomos谈论忍者手机

在NAB 2024的展厅里, Shawn Lam of 流媒体 and SLV Live interviews Atomos CEO Jeromy Young about the new Atomos Ninja Phone, 如何将iPhone 15 Pro或Pro Max变成1600像素, 10位, 2,000,000:1的对比度, 460 ppi, HDR OLED, ProRes监视器记录仪的任何专业HDMI相机.

体育流媒体如何超越广播和有线电视?

衡量体育流媒体成功与否的第一个标准是复制有线电视/广播电视的体验, but AWS' Julie Neenan Souza insists that sports streamers should be aiming higher when it comes to leveraging streaming's core strengths, 从互动性到投注到个性化再到实时电子商务. Meanwhile ViewLift's Chance 梅森 contends that the key to next-level sports streaming delivery is streaming infrastructure companies like AWS embracing their emerging role as D2C media companies and partnering with sports leagues and sports rights holders at that level. Souza, 梅森, and Altman Solon's Matt del Percio discuss these and other emerging opportunities for sports streaming in this clip from 流媒体连接2024.

品牌识别和多平台流媒体应用

How important is maintaining brand identity and differentiation in streaming UX and app design, 多么重要, 甚至不可能或不明智, 它是为了在不同平台上保持一致的外观和感觉吗? 品牌在整个粉丝体验中是多么重要, 或者为与你的品牌相关的内容建立一个粉丝基础? YouTube电视台的埃丝特·安报道, 麦哲伦电视台的James Lauzun报道, Crunchyroll的Tom Hurlbutt也加入了进来, 这是在流媒体连接2024上与Reality Software的Nadine Krefetz的讨论.

Globo如何处理大规模体育直播流媒体的延迟成本

当涉及到大规模实现流媒体技术时, 高赌注的体育直播, often decisions around managing latency are driven as much by cost concerns as network conditions, 观众的期望, 诸如此类. 全球数字产品,平台 & Adtech Manager Jonas Ribeiro reveals the latency Globo delivers on typical sports streams at scale and what factors into those numbers in this discussion with Eyevinn Technology's Magnus Svensson at 流媒体连接2024.

CBS体育如何应对云vs. 预置流工作流

Most of the essential elements of streaming workflows and architecture are moving toward the cloud, but the fundamental question driving streaming workflow development should always be not how do we migrate this or that process to the cloud, 但怎样才能最好地服务于制作和观众, 根据CBS体育高级总监的说法, 先进生产技术科里·史密斯, who breaks down these questions in this discussion with Eyevinn Technology's Magnus Svensson from 流媒体连接2024.

数据规范化能快速修复吗?

可以说, the two biggest challenges in the FAST ecosystem are managing the ad experience and delivering ROI for the brands that support the platform. 专家, from Fremantle's Laura Florence to Fuse Media's Patrick Courtney to Media Cartographer Evan Shapiro, agree that standardizing the data they collect and delivering on the promise of programmatic advertising is the key to making it all work. 但这段来自2024年流媒体连接的视频显示,说起来容易做起来难.

沃尔玛收购Vizio和FAST的未来

What do Walmart's recent acquisition of Vizio and rumors of Amazon Prime absorbing Freevee tell us about the state of the FAST ecosystem? How can companies like Tubi and Fremantle optimize their FAST offerings in a shifting media landscape? Tubi's Sam Harowitz and Fremantle's Laura Florence offer their takes in this discussion with Media Cartographer Evan Shapiro at 流媒体连接2024.

AWS, ViewLift & 奥特曼·索伦谈论2024年的体育媒体状况

体育直播是媒体界最后一种预约观看方式, 但与此同时, chaos reigns in the realms of licensing and rights and the ability of streaming consumers to access the games they want to see. AWS体育主管Julie Neenan Souza说, ViewLift副总裁Chance 梅森, and Altman Solon Director Matt DelPercio discuss the current state of sports media in this clip from 流媒体连接2024.

AVC/H.264编解码器最终衰落?

到2024年,AVC离过时有多近, with AV1 and other more efficient and increasingly well-established "emerging" codecs like VP9 and HEVC on the rise? Meta的Hassene Tmar, Netflix的安德烈·诺金说, AMD的肖恩·加德纳, 和“帮助我流媒体”的蒂姆·西格林在2024年流媒体连接的这段视频中发表了看法.

在流媒体应用程序设计中给予用户控制权

对于流媒体用户和观众来说,能够自定义有多重要, 个性化, 并管理他们使用流媒体应用程序的体验? 以及产品设计师如何促进这些类型的体验? YouTube电视台的埃丝特·安报道, Crunchyroll的Tom Hurlbutt, and Magellan TV's James Lauzun offer their takes in this clip from 流媒体连接2024.

2024年及以后,优质体育流媒体授权将如何发展

随着顶级体育流媒体版权的价格不断达到天文数字的水平, 以及ESPN/福克斯/华纳兄弟的大片带来的潜在颠覆. 合资企业(俗称“Spulu”)在2月份被嘲笑, what sports licensing will look like as 2024 rolls on and who will be able to afford it is anybody's guess. 在美国,情况会有所不同吗.S. 和欧洲? 随着成本转嫁给用户,体育迷们为什么不坚持使用有线电视呢? 看看ESHAP的埃文·夏皮罗等顶级分析师是怎么做的, 我是保罗·埃里克森, Dataxis的Ophelie Boucaud说, 以及TVREV的艾伦·沃尔克, 在这段来自2024年流媒体连接的视频中说道.

2024年如何设计流媒体应用和用户体验

2024年成为流媒体应用设计师和产品总监需要具备哪些条件? 根据YouTube电视台的埃斯特·安的说法, Crunchyroll的Tom Hurlbutt, 以及菲罗的布兰登·雅普, embracing the evolution of that role means rolling with ongoing changes in the device ecosystem, 查看器行为和设备首选项, 以及电视观看体验的现代化, 正如他们在2024年流媒体连接的这段视频中讨论的那样.

如何解决交互式流媒体的延迟挑战

交付成功的大规模互动直播最大的挑战是什么, 特别是实现所需的低延迟, 以及适用的技术解决方案? 纳米宇宙公司首席执行官奥利弗·莱茨说, 帮助我流媒体的蒂姆·西格林, and Motoworlds' Darcy Lorincz identify real-world interactive streaming problems and how to address them and deliver high-quality user experiences from traditional streaming to the metaverse in this clip from 流媒体连接2024.

Netflix、Meta和联合云如何选择新的编解码器,为什么

Migrating to new codecs is fraught with challenges and complications for companies with massive content libraries like Netflix and Meta, 或者像联合云这样的实时线性提供商. What drives change-of-codec decisions and what considerations and trade-offs complicate these decisions vis a vis legacy users 和更多的? Netflix的安德烈·诺金说, Meta的Hassene Tmar, 曼联云的博班·卡萨洛维奇, and 帮助我流媒体的蒂姆·西格林 discuss these issues 和更多的 in this clip from 流媒体 Connect.

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